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Basics of Time-lapse
Definition
Time-lapse:
Denoting the photographic technique of taking a sequence of frames at set intervals to record changes that take place slowly over time.
When the frames are shown at normal speed, or in quick succession, the action seems much faster.
So, what exactly does this mean and how do we achieve this 'Time-lapse' effect? You'll need a camera and a subject that changes over time, like a sunset or flowers. Then simply need to take photos at a different speed then at which you will play them back.
Example
Take a total of 100 photos, taking one photo every 10 seconds (100 photos x 10 seconds = 1000 seconds).
Make a movie playing at 25 fps from these photos, the movie will be 4 seconds long (100 photos / 25 photos per second = 4 seconds).
This movie will speed up time by a factor of 250 (1000 seconds / 4 seconds = 250).
So if a flower normaly takes 30 minutes to open, you can show that flower opening with a movie 8 seconds long.
Using this basic knowledge, you can take the photos at a shorter or longer interval and play them back faster or slower to achieve different effects, it is advised to choose the playback speed in such a way that the motion of the movie is smooth, not to fast nor to slow.
You can make a Time-lapse movie from just about anything, just let your imagination take control.
To get a better idea of what Time-lapse is; view my Time-lapse Movies (Quicktime 7+ required).
Requirements
The camera
For this you can use a digital or analog device. Digital would be best as that will make the following steps much easier.
The device can be a photocamera, videocamera, webcam or something equivalent.
A very important requirement is that you can control the interval at which the device takes pictures, either on the camera (here is an basic list of camera's that can do this; Suitable Models), via the computer or another device. It also needs to have enough storage to be able to hold all the pictures that you want for your Time-lapse, they can either be stored on the camera or the computer. The camera also needs a good battery or an AC adapter.
Stability - a tripod
A tripod is very useful when making a Time-lapse movie, it will ensure that all pictures are aligned correctly.
If you don't have a tripod use a flat and steady surface instead.
Trigger - a computer
If your camera doesn't support interval shooting on its own; use a computer to control the camera.
You will need to connect the camera to the computer via an USB cable. A laptop is more useful because it is more flexible, and can be taken to places where a desktop computer can not, but you do have to make sure that your laptops battery will last long enough.
Composition - a subject
Of course you also need something to make the pictures of, preferably something that moves (not to fast), for example:
Clouds, flowers, ice, clockwork, people, animals, stars.
Try to predict how the subjet will move and make sure that your camera covers the correct area.
Taking the pictures
Some cameras, like mine, have a built-in intervalometer which allow you to take Time-lapse photos without a computer.
If your camera doesnt have this option (or if are using a webcam) you need a computer with the right software to take control over the camera.
Depending on your software/hardware/subject you must select an interval (e.g. 5 seconds) between each photo and the total amount (e.g. 500) of photos to be made. Then initiate the shooting and wait while your photos are being taken. Then tranfer them to your computer (if you where using the computer to make the photos, the photos most likely will already be on the computer). When this is done you can make a movie out of them.
Power
If you do use a battery, make sure that it is fully charged. If you intend to make a long Time-lapse or if you are shooting via the computer I suggest you use an AC-adapter for the camera: to keep it powered for an unlimited time. I almost always use an AC-adapter when shooting Time-lapse, it is more reliable then a battery.
Storage
Check that you have enough space left on your camera's memory card to fit all the images that you want to take. If you don't have enough storage you might consider setting your camera to a lower quality setting. Or just buy a larger memory card, since memory cards are fairly cheap these days you can easily buy a 8GB memory card which can hold many photos.
Exposure mode
Usually you should put your camera in Manual mode (a fixed aperture and exposure time), because that will prevent a lot of flickering in the resulting movie. Make sure that you take some test shots before starting the time-lapse to make sure the exposure is set correctly. When lighting conditions are very inconsistent, it is beter to let the camera determine the shutter speed, you should then use Aperture priority mode (fixed aperture) to prevent changing of Depth of Field, while letting the camera decide the appropriate exposure. If there is still flickering in your movie, see the Advanced section on ways of fixing this. You should NOT use Auto White balance, set the camera to a specific white balance preset to keep it constant throughout the movie.
Manual focus
If your camera supports manual focus and your subject will remain at approximately the same distance; use manual focus. If you use auto focus your camera might fail to focus correctly on some shots, which does not look pretty in the final movie. Using manual focus will also increase your camera's battery life.
Computer controlled
When using a computer to control your camera make sure that the camera's USB mode is correctly set. Most cameras can be set to either 'Mass Storage' or 'PTP' (or 'MTP'), to control it via a computer the camera has to be set to PTP (or MTP) mode.
Intervalometers
There is a lot of software and hardware available to control cameras for Time-lapse shooting, here are some examples:
| Mac Software: Sofortbild (Nikon, free) Bear's Hand iStop Motion Nikon Camera Control Pro |
Windows Software: DCamCapture (Nikon, free) Flix GBTimeLapse (Canon) Nikon Camera Control Pro |
Other intervalometers: The Time Machine Pclix LT100 Aputure Timer 'Virtual Finger' CHDK firmware (Canon) Built-in intervalometer |
| Sofortbild |
External Intervalometer |
Canon S60 |
Nikon Dx/Dxxx |
How to make movies out of pictures
Once you have made the photos for your Time-lapse movie you will want to make a movie out of them, here are some tips to help you do that.
Tip; First frame
If you have to press a button on your camera to start the time-lapse shooting I suggest you do this:
Often when you press the botton on your camera, to make the first photo, you move the camera a little bit, this causes the first photo to be a bit off center when compared to the photos, therefore I suggest you remove the first photo before you make the movie.
Software
There is a lot of software that can help you to make a movie from your images. Some are free, some are not, some are better then others, some offer more options then others... I suggest you take a look at all of them and see which fits best with your needs.
| Software | Mac | Windows | Linux |
| PhotoLapse | x | ||
| Virtual Dub | x | ||
| Avidemux | x | x | x |
| Adobe Software | x | x | |
| Apple Final Cut | x | ||
| Apple Quicktime (Pro) | x | x |
Making the movie
Here are two simple but effective methods to make the movies with Apple Quicktime Player (Not Quicktime X). One with the Pro ($30) version and one with the free version (less options). If you are using Snow Leopard you can still access Quicktime Player 7, read this. And also some basics for using Adobe After Effects. I have included some screenshots to help you find your way more easily. I will assume that all frames for your movie are in one folder and in correct order.
QuickTime Pro ($30)
- You do not need to resize the images beforehand for a smaller movie; you can resize the movie when you export it
- Open QuickTime Pro
- Go to File → Open Image Sequence... → choose one of the images
- Select your preferred Frame rate, you can experiment with different frame rates to see what works best for your movie
- Check/play the movie, make sure there are no bad frames (e.g. not aligned properly, over- or underexposed)
- If there are bad frames, you can remove them either by selecting them in quicktime and deleting them, or removing the files from the folder and rebuilding the movie
- Go to File → Export (if you want to save the movie at lossless quality use File → Save)
- Choose a codec, configure it to your specifications, choose a location to save it to, choose a name for the movie, and Export!
- If you want to be able to playback movies on an iPod/iPhone: Choose "Movie to iPod/iPhone" in the Export options
My export settings → Export movie to Quicktime Movie, Video Format: x264Encoder, Data rate: ±1500 kbits/sec, Image size: 640x480 VGA
| Framerate: |
File menu: |
Export options: |
Export dialog: |
QuickTime (free)
- You may want to resize the images first for a smaller movie, because this can not be done when saving the movie, and playing a movie at very high resolution will probably not play smoothly
- Go to File → Open File... → choose the last image. this will open a new movie player with the image
- Now select all the other images (in the Finder/Windows Explorer), select them in correct order, then drag them on the just opened movie
- Each frame will be added in correct order (the order in which you selected them) and each frame will play for 1/15 seconds, so the movie will be 15 fps
- To save: try to close the movie window (either via the File menu or by pressing the close button), doing this will bring up the save dialog
(note: you can not save via the menu File → Save, see screenshot)
- Choose "Safe as a self-contained movie" then choose a name for the movie and location to save to and press Save!
You're Done!
- This movie will be saved lossless, which means that the movie will be about the size of all the original images that are in the movie. If you intend to distribute it over the internet; compress it first.
| File menu: |
Close dialog: |
Save dialog: |
Adobe After Effects ($200+)
- Go to File → Import → File... (or use cmd+I on a Mac)
- Navigate to the folder containing your image sequence, select all images, check the checkbox to import the image as a sequence (see Import dialog screenshot), then choose Open
- If the images are in RAW format you will be shown a RAW settings window where you can tweak your images
- A new movie will appear in the Project panel of After Effects, this is the image sequence that you just imported
- Drag this movie either to the timeline at the bottom or into the Composition area
- Now you can add effects, pans, zooms and other transformations to your movie
- There are several ways in which you can export the movie:
- I prefer to use: File → Export → MPEG-4 and use the same settings that I use to export from Quicktime (see above).
- Another way to export movies: Composition → Make Movie, this will add the movie to the Render Queue where you can choose render settings and then export the movie.
| Basic interface: |
Import menu: |
Import dialog: |
Raw settings: |
Composition: |
Time stretch: |
Export menu: |
Render queue: |
Advanced
Preventing flicker
If you have made your time-lapse movie on a cloudy day or with a lightbulb, the lighting conditions may have changed a lot during the shoot. This might cause flickering, brightness differences between consecutive frames, in your movie. The lightbulb causes flickering because of the way power outlets works, namely at 50-60Hz. This causes slight fluctuations in the brightness of the bulb, our eyes usually don't see this because they work at ~25Hz. Therefore you will need to set your camera to shutterspeeds slower then 1/25th of a second, preferably slower to make sure that one exposure encompasses multiple periods of fluctuations of your lightbulb, thus evening out the light changes.
Another cause of flicker in time-lapse is 'Aperture-flicker'. This refers to the effect that the aperture of the lens does not close precisely the same amount for every photo. This means that slightly more or slightly less light will enter the camera, while the shutter speed remains the same. Here is a video that shows how the aperture blades move during the taking of a photo. There are several ways to avoid this potential problem, you can for instance shoot 'wide-open' (lowest f-stop), because then the aperture does not move at all. There are also ways to fix the aperture on a lens to a certain setting, but that is more complicated.
Removing flicker
Luckily there is software out there that can help in post-processing to remove flicker. For instance, for Windows, there is a deflick plugin (free) for VirtualDub (free). There is more software that can help remove flicker, but not all are free, one of such is GBDeflicker ($80) this is a plug-in for Adobe After Effects and is available for both Mac OS and Windows.
Here is an example: (click on the thumbnails to see the movies, Quicktime 7 required)
| With flicker: |
After deflickering: |
To see some examples of Time-lapse movies, visit my Time-lapse Movies page.
